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Julia's a Charmer

Thursday, July 26, 2007

Omelettes are such fun to make when you toss them off, as shown here. A fresh green salad, a glass of white wine, and an omelette make a lunch worth waiting the 30 seconds it takes to make one, and I say fie to those oenophilic spoilsports who insist that wine goes with neither eggs nor salads. Wine is essential with anything! Particularly omelettes for lunch.

.Julia Child. How to Cook.

A link to remember

Friday, July 20, 2007

The Minimalist Meals in 10 Minutes or Less.

Welcome to Boston

Thursday, July 12, 2007


Today was my first full day in Massachusetts. I spent the morning getting lost again and again by car, while trying to run some errands. But as a result I made peace with the U-turn and bought a box of Jello Pudding Pops with French on it, so it was not all in vain.

After the agitation of driving in circles all morning, this evening, I decided to go for a long walk, and just be. No iPod. No real place to go. I had a scoop of Coconut Butterfinger ice cream at Christina's, and looked in the windows of the billion furniture stores on Mass Ave, and ended up on a bench by the river to finish Philip Roth's Everyman and watch the sunset. As rowers sculled by and the water sparkled in the fading light, I read the following:
"Why do you laugh sometimes at what I say," she asked him the second time he took her out to dinner, "why do you laugh when I'm being perfectly serious?" "Because you charm me so and you're so unaware of your charm." "There's so much to learn," she said while he accompanied her home in the taxi; when he replied softly, without a trace of the urgency he felt, "I'll teach you," she had to cover her face with her hands. "I'm blushing. I blush," she said. "Who doesn't?" he told her, and he believed that she'd blushed because she thought he was referring not to the subject of their conversation--all the art she'd never seen--but to sexual ardor, as indeed he was. He wasn't thinking in the taxi of showing her the Rembrandts at the Metropolitan Museum but of her long fingers and her wide mouth, though soon enough he'd take her not just to the Metropolitan but to the Modern, the Frick, and the Guggenheim. He remembered her removing her bathing suit out of sight in the dunes. He remembered them, later in the afternoon, swimming back together across the bay. He remembered how everything about this candid, unaffected woman was so unpredictably exciting. He remembered the nobility of her straightness. Against her own grain, she sparkled. He recalled telling her, "I can't live without you," and Phoebe's replying, "Nobody has ever said that to me before," and his admitting, "I've never said it before myself."
For a moment, this broke my resolve to just be, because if I am honest, I have to admit--I want that so badly.

Tuesday, July 10, 2007

A Valediction: Forbidding Mourning

As virtuous men pass mildly away,
And whisper to their souls to go,
Whilst some of their sad friends do say
The breath goes now, and some say, No:

So let us melt, and make no noise,
No tear-floods, nor sigh-tempests move,
'Twere profanation of our joys
To tell the laity our love.

Moving of th' earth brings harms and fears,
Men reckon what it did and meant,
But trepidation of the spheres,
Though greater far, is innocent.

Dull sublunary lovers' love
(Whose soul is sense) cannot admit
Absence, because it doth remove
Those things which elemented it.

But we by a love so much refined
That our selves know not what it is,
Inter-assur'd of the mind,
Care less, eyes, lips, and hands to miss.

Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion,
Like gold to aery thinness beat.

If they be two, they are two so
As stiff twin compasses are two;
Thy soul, the fixed foot, makes no show
To move, but doth, if th' other do.

And though it in the centre sit,
Yet when the other far doth roam,
It leans and hearkens after it,
And grows erect, as that comes home.

Such wilt thou be to me, who must
Like th' other foot, obliquely run;
Thy firmness makes my circle just,
And makes me end where I begun.

-- John Donne

Two good things I've read recently

Saturday, July 07, 2007

I've been hitting the collected nonfiction of Joan Didion pretty hard recently... good stuff:
With that genius for accommodation more often seen in women than in men, Jordan Baker took her own measure, made her own peace, avoided threats to that peace: "I hate careless people," she told Nick Carraway. "It takes two to make an accident."

Like Jordan Baker, people with self-respect have the courage of their mistakes. They know the price of things. If they choose to commit adultery, they do not then go running, in an access of bad conscience, to receive absolution from the wronged parties; nor do they complain unduly of the unfairness, the undeserved embarrassment, of being named co-respondent. In brief, people with self-respect exhibit a certain toughness, a kind of moral nerve; they display what was once called character, a quality which, although approved in the abstract, sometimes loses ground to other, more instantly negotiable virtues. The measure of its slipping prestige is that one tends to think of it only in connection with homely children and United States senators who have been defeated, preferably in the primary, for reelection. Nonetheless, character--the willingness to accept responsibility for one's own life--is the source from which self-respect springs.

.On Self-Respect.

And, quoted in the preface of William Julius Wilson's The Truly Disadvantaged, Herbert Gans:
The vacuum that is created when no recommendations are attached to a policy proposal can easily be filled by undesirable solutions and the report's conclusions can be conveniently misinterpreted.